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Sign in. Watch now. Title: Sex, Lies, and Videotape

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I n May Rob Lowe became one of the first celebrities to become embroiled in a sex tape scandal. John is a lawyer: slick, conniving and low. Yuppie America must have felt its ears burning.

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James Spader stars as a college pal who reveals the low-down on lust in his friend's high-infidelity marriage. Andie MacDowell co-stars. Learn more about Amazon Prime.

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A delicate balance of the heady and the simple, Sex, Lies, and Videotape is both quintessential Steven Soderbergh and unlike anything he's directed since. Criterion Collection. Jul

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I have a friend who says golf is not only better than sex, but lasts longer. Of course, this argument is all a mind game, and sex itself, sweat and all, is the prize for the winner. The movie takes place in Baton Rouge, La.

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Steven Soderbergh, Drama, min. A sexually repressed woman's husband is having an affair with her sister. The arrival of a visitor with a rather unusual fetish changes everything.

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Astonishingly, it still does today. Among the most storied of American independent films, it debuted at the U. Film Festival soon to be renamed the Sundance Film Festival and immediately transformed that earnest refuge from Hollywood commercialism into a magnet for Los Angeles power brokers looking for fresh talent.

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Sex, Lies, and Videotape styled as sex, lies, and videotape is a American independent drama film that brought director Steven Soderbergh to prominence. The plot tells the story of a troubled man who videotapes women discussing their lives and sexuality, and his impact on the relationships of a troubled married couple and the wife's younger sister. The film won the Palme d'Or at the Cannes Film Festivaland was influential in revolutionizing the independent film movement in the early s. Ann Bishop Mullany lives in Baton Rouge.

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In the late 80s a young Steven Soderbergh wrote a script in eight days and, on a shoestring budget, shot a movie that would go on to change the face of 90s cinema. The success of Sex, Lies, and Videotape drew investors to nascent festivals such as Sundance, the profitability of indie movies was proven, and Soderbergh paved the way for a new kind of filmmaking that was discursive, subtle and sexy. Set in the steamy suburbs of Baton Rouge, the film focuses on questions of sexual appetite; on the spectrum from voracious to repressed, young wife Ann played by Andie MacDowell sits somewhere close to frigid.

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Like videotape, social media offers its participants a warped sense of agency, though the latter is capable of being distributed and altered at a terrifyingly accelerated pace that blurs reality so much as to render the concept irrelevant. However, Sex, Lies, and Videotape also feels fascinatingly dated, and optimistic, in its deliberateness and hermetically sealed atmospherics. The film now plays as a period piece, capturing a time when media was more decisively separated from everyday discourse. Today, media suggests a hive mind in which politics, sex, self-promotion, and entertainment blur into an inescapable white noise of consumption.

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